Daniel Steinhart


Daniel Steinhart

Daniel Steinhart

Assistant Professor,
Department of Cinema Studies 

219 Allen Hall


Research Statement

I am interested in the art and industry of cinema and media. More specifically, my research and teaching focus on global Hollywood, production cultures, film form and style, and contemporary international art cinema. I am currently working on a book that investigates Hollywood’s push to create a globalized production industry from the late 1940s to the early 1960s. This study also examines the artistic choices that arose when Hollywood filmmakers confronted the challenges of foreign location shooting. This research has been supported by a number of grants, including a Fulbright Fellowship in France. I also have a background in moving-image programming and film journalism. Both of these pursuits have taken me to international film festivals, which for me remain important places to keep up with new developments in cinema and media.

Recent Citations – Publications – Professional Work

All the World’s a Studio: Internationalizing Hollywood Production and Location Shooting in the Postwar Era (Book in progress).

“Dispatches from the Dark: A Conversation with Film Critic Neil Young at the 2015 International Film Festival Rotterdam.” NECSUS: European Journal of Media Studies (Spring 2015).

“‘Paris…As You’ve Never Seen It Before!!!’: The U.S. Marketing of Hollywood Foreign Productions in the Postwar Era” in Media: The French Journal of Media and Media Representations in the English-Speaking World no. 3 (2013).

“A Flexible Mode of Production: Internationalizing Hollywood Filmmaking in Postwar Europe.” Petr Szczepanik and Patrick Vondereau, eds. Behind the Screen: Inside European Production Cultures. London: Palgrave, 2013.


CINE 399 "Production Studies"
CINE 399 "Contemporary International Art Cinema"
CINE 399 "American Independent Cinema"
J 412/512 "Global Hollywood"
J412/512 "US Film Industry"